Barry Manilow carrier

Career
1970s: Success
Manilow's well-known association with Bette Midler began at the Continental Baths in New York City He accompanied her and other artists on the piano from 1970 to 1971, and Midler chose Manilow to assist with the production of her first two albums, the Platinum-certified The Divine Miss M (1972) and the Gold-plus Bette Midler (1973), and act as her musical director on the The Divine Miss M tour. Manilow worked with Midler for four years, from 1971 to 1975. In 1974, Bell Records released Manilow's first album, Barry Manilow, which offered an eclectic mix of piano-driven pop and guitar-driven rock music, including a song that Manilow had composed for the 1972 war drama Parades.
Among other songs on the album were "Friends", "Cloudburst", and "Could It Be Magic." The latter's music was based on Chopin's "Prelude in C Minor, Opus 28, Number 20", and provided Donna Summer with one of her major hits. (It was also covered by Take That in the 1990s, as an up-beat disco version of the song. Take That have since performed Manilow's original version in their Beautiful World Tour.) Midler allowed Manilow to sing three of the songs from the album during the intermissions in her show.[citation needed] As a result of a corporate takeover, Bell Records, along with other labels, was merged into a new entity named Arista Records, under the leadership of Clive Davis, who seized the opportunity to drop many artists. However, after seeing Manilow perform as the opening act at a Dionne Warwick concert, he was convinced that he had a winner on his hands; a relationship lasting decades ensued.
The partnership began to gain traction in 1974, with the release of Manilow's second album, Barry Manilow II, on Bell Records (and later reissued on Arista), which contained the breakthrough number-one hit, "Mandy". Manilow had not wanted to record "Mandy" (originally titled "Brandy", written and recorded by Scott English) — but the song was included at the insistence of Clive Davis. Following the success of Barry Manilow II, the first Bell Records album release was re-mixed and re-issued on Arista Records as Barry Manilow I. When Manilow went on his first tour, he included in his show, "A Very Strange Medley", a sampling of some of the commercial jingles that he had written or sung. Beginning with Manilow's March 22, 1975, appearance on American Bandstand to promote Barry Manilow II (where he sang "Mandy" and "It's A Miracle"), a productive friendship with Dick Clark started. Numerous appearances by Manilow on Clark's productions of Dick Clark's New Year's Rockin' Eve, singing his original seasonal favorite "It's Just Another New Year's Eve", American Bandstand anniversary shows, American Music Awards performances and his 1985 television movie Copacabana are among their projects together. He once said, "Is it wrong to be strong, you be the judge!"
"Mandy" was the start of a string of hit singles and albums that lasted through the rest of the 1970s to the early 1980s, coming from the multi-platinum and multi-hit albums Tryin' to Get the Feeling, This One's for You, Even Now and One Voice. Despite being a solid songwriter in his own right, Manilow has had great success with songs by others. Among the hits which he did not write are "Mandy," "Tryin’ to Get the Feeling Again", "Weekend in New England" (by Randy Edelman), Looks Like We Made It," "Can't Smile Without You" and "Ready to Take a Chance Again". Ironically, another of the songs Manilow did not write was his number one hit "I Write The Songs" (by Bruce Johnston of The Beach Boys). According to album liner notes, Manilow did, however, co-produce them with Ron Dante and arrange them.
Manilow's breakthrough in Britain came with the release of Manilow Magic – The Best Of Barry Manilow, also known as Greatest Hits. On its initial release it was accompanied by a large television advertising campaign, but the album was only available by mail order on the "Teledisc" label. In the late 1970s and early 1980s, ABC aired four variety television specials starring and executive produced by Manilow. The Barry Manilow Special with Penny Marshall as his guest premiered on March 2, 1977 to an audience of 37 million. The breakthrough special was nominated for four Emmys and won in the category of "Outstanding Comedy-Variety or Music Special". The Second Barry Manilow Special in 1978, with Ray Charles as his guest, was also nominated for four Emmys.

Manilow's "Ready To Take a Chance Again" originated in the film Foul Play, which also featured "Copacabana", from his 4th studio album "Even Now." "Ready To Take A Chance Again" was nominated that year for the "Best Original Song" Oscar. Copacabana would later take the form of a musical television movie, starring Manilow, and three musical plays. On February 11, 1979, a concert from Manilow's sold-out dates at the Greek Theater in Los Angeles, California was aired on HBO's series Standing Room Only, which was the first pay-television show to pose a serious challenge to network primetime specials in the ratings. From the same tour in 1978, a one-hour special from Manilow's sold out concert at the Royal Albert Hall aired in the UK.
On May 23, 1979, ABC aired The Third Barry Manilow Special, with John Denver as his guest. This special was nominated for two Emmy awards and won for "Outstanding Achievement in Choreography".Also in 1979, Manilow produced Dionne Warwick's "comeback" album Dionne. The Arista album was her first to go platinum and spawned "I'll Never Love This Way Again" and "Deja Vu." He also scored a top ten hit of his own in the fall of 1979 with the song "Ships" (written by Ian Hunter, former lead singer of Mott the Hoople) from the album "One Voice."
1980s
The 1980s gave Manilow the adult contemporary chart-topping hit songs "The Old Songs", "Somewhere Down the Road", "Read 'Em and Weep" ( by Meat Loaf collaborator Jim Steinman) and a remake of the 1941 Jule Styne and Frank Loesser standard "I Don't Want to Walk Without You." Manilow continued having high radio airplay throughout the decade. In the UK, Manilow had five sold-out performances at Royal Albert Hall, for which nearly a half million people vied for the 21,500 available seats. In the United States, he sold out Radio City Music Hall in 1984 for 10 nights and set a box-office sales record of nearly $2 million, making him the top draw in the then 52-year history of the Music Hall. In 1980, Manilow's One Voice special, with Dionne Warwick as his guest, was nominated for an Emmy for "Outstanding Achievement in Music Direction".
Also in 1980, a concert from Manilow's sold-out shows at England's Wembley Arena was broadcast while he was on a world tour. Manilow released the self-titled Barry (1980), which was his first album to not reach the top ten in the United States, stopping at #15. The album contained "I Made It Through The Rain" (originally a minor hit for its writer, Gerard Kenny) and "Bermuda Triangle." "We Still Have Time" was featured in the 1980 drama Tribute. The album If I Should Love Again followed in 1981, containing "The Old Songs," "Let's Hang On," and "Somewhere Down The Road." This was the first of his own albums that Manilow produced without Ron Dante, who had co-produced all the previous albums. Manilow's sold-out concert at the Pittsburgh Civic Arena in Pittsburgh was aired nationally on Showtime, and locally on Philadelphia's now-defunct PRISM. In 1982, a concert from his sold out Royal Albert Hall show was broadcast in England. The live album and video Barry Live in Britain also came from his Royal Albert Hall shows.
On August 27, 1983, Manilow performed a landmark open air concert at Blenheim Palace in Britain. It was the first such event ever held at that venue and was attended by a conservative estimate of 40,000 people. This concert was also taped for airing on Showtime. In December 1983, Manilow was reported to have endowed the music departments at six major universities in the United States and Canada. The endowments were part of a continuing endeavor by Manilow to recognize and encourage new musical talent.
In 1984 Manilow released 2:00 AM Paradise Cafe, a jazz/blues collection of original barroom tunes recorded in one live take in the studio. In 1984, Showtime aired a documentary of Manilow recording the album with a number of jazz legends, such as Sarah Vaughn and Mel Tormé. In 1984 and 1985, England aired two one-hour concert specials from his National Exhibition Centre (NEC) concerts. In 1985, Manilow left Arista Records for RCA Records. There he released the pop album Manilow, and began a phase of international music, as he performed songs and duets in French, Spanish, Portuguese, and Japanese, among other languages. The Manilow album was a complete about face from the Paradise Cafe album, containing a number of tracks that were of a modern uptempo and synthesized quality. In 1985, Japan aired a Manilow concert special where he played "Sakura" on the koto.
In his only lead acting role, he portrayed Tony Starr in a 1985 CBS film based on Copacabana, which also featured Annette O'Toole as Lola Lamarr and Joseph Bologna as Rico. This was named one of the top TV specials of the year by TV Guide magazine. Manilow penned all the songs for the movie, with lyrics provided by established collaborators Bruce Sussman and Jack Feldman, and released Copacabana: The Original Motion Picture Soundtrack Album on RCA Records. In October 1986, Manilow, along with Bruce Sussman, Tom Scott, and Charlie Fox, went to Washington, D.C. for two days of meetings with legislators, including lunch with then Senator Al Gore (D-TN). They were there to lobby against a copyright bill put forward by local television broadcasters that would mandate songwriter-producer source licensing of theme and incidental music on syndicated television show reruns and would disallow use of the blanket license now in effect. The songwriters said without the blanket license, artists would have to negotiate up front with producers individually, without knowing if a series would be a success. The license now pays according to a per-use formula. Manilow said that such a bill would act as a precedent for broadcasters to get rid of the blanket license entirely.
The following year, McGraw-Hill published his autobiography, Sweet Life: Adventures on the Way to Paradise, which had taken him about three years to complete. While promoting his autobiography, Manilow defended his music in a telephone interview: "I live in laid-back L.A., but in my heart, I'm an energetic New Yorker and that's what has always come out of my music. I've always been surprised when the critics said I made wimpy little ballads". Manilow returned to Arista Records in 1987 with the release of Swing Street. The album, a mixture of traditional after-dark and techno jazz, contained "Brooklyn Blues," an autobiographical song for Manilow, and "Hey Mambo," an uptempo Latin style duet with Kid Creole, produced with the help of Emilio Estefan, Jr., founder of Miami Sound Machine.
In March 1988, CBS aired Manilow's Big Fun on Swing Street special. It featured songs and special guests from his Swing Street and 2:00 AM Paradise Cafe albums, including Kid Creole and the Coconuts, Phyllis Hyman, Stanley Clarke, Carmen McRae, Tom Scott, Gerry Mulligan, Diane Schuur, Full Swing, and Uncle Festive, a band within Manilow's band at the time. The special was nominated for two Emmys in categories of "Outstanding Lighting Direction (Electronic): For a Variety/Music or drama series, a miniseries or a special" and won in the category of "Outstanding Art Direction for a Variety or Music program".England also aired another NEC one-hour concert special Manilow did while on his Big Fun Tour de Force tour.
In 1988, he performed "Please Don't Be Scared" and "Mandy/Could It Be Magic" at That's What Friends Are For: AIDS Concert '88, a benefit concert for the Warwick Foundation headed by Dionne Warwick and shown on Showtime a couple of years later. In the 1988 Walt Disney Pictures animated feature Oliver & Company, Bette Midler's character sang a new Manilow composition called "Perfect Isn't Easy." The 1989 release of Barry Manilow, which contained "Please Don't Be Scared," "Keep Each Other Warm," and "The One That Got Away," ended Manilow's streak of albums of original self-written material (he neither wrote nor arranged any of the songs except for two) and began a phase of his recording career consisting of covers and compilations.
From April 18 to June 10, 1989, Manilow put on a show called Barry Manilow at the Gershwin, making 44 appearances at the Gershwin Theatre (also known as the Uris Theatre), where, by coincidence, he recorded Barry Manilow Live in 1976. A best-selling 90-minute video of the same show was released the following year as Barry Manilow Live On Broadway. The Showtime one-hour special Barry Manilow SRO on Broadway consisted of edited highlights from this video. Manilow followed this set of shows with a sold-out world tour of the Broadway show.
1990s
In the 1990s, Manilow released a number of cover tunes. It started with the 1989 release Barry Manilow, continued with his 1990 Christmas LP Because It's Christmas. Consequent "event" albums followed including: Showstoppers, a collection of Broadway songs (1991), Singin' with the Big Bands (1994) and a late 1970s collection Summer of '78 (1996) which included the hit "I Go Crazy", formerly a hit for Paul Davis in 1978. The decade ended with Manilow recording a tribute to Frank Sinatra Manilow Sings Sinatra (1998) released months after Sinatra's death.
In 1990, Japan aired National Eolia Special: Barry Manilow On Broadway where he sang the title song "Eolia", which was used as a song there in a commercial for an air conditioner company of the same name, as well as other songs from his 1989–1990 Live on Broadway tour. In the early 1990s, Manilow signed on with Don Bluth to compose the songs with lyricists Jack Feldman and Bruce Sussman for three animated films. He co-wrote the Broadway-style musical scores for Thumbelina (1994) and The Pebble and the Penguin (1995). The third film, entitled Rapunzel, was shelved after the poor performance of Pebble. Manilow was also to be cast as the voice of a cricket. Manilow also composed the score and wrote two songs with Bruce Sussman for Disney Sing Along Songs: Let's Go To The Circus.
On February 19, 1992, Manilow testified before the Subcommittee on Intellectual Property and Judicial Administration House Committee in support of H.R. 3204 The Audio Home Recording Act of 1991. The bill was signed into law on October 28, 1992 by President George H. W. Bush. The Act, a historic compromise between the consumer electronics and music industries, became effective immediately. In 1993, PBS aired, as a fundraiser, Barry Manilow: The Best of Me, which was taped at Wembley Arena in England earlier that same year. The BBC also played a one-hour version of the same show including "The Best of Me", sung during the concert, as a bonus song or "lucky strike extra" as Manilow says, not seen in The Greatest Hits...and then some, the video release of the show; however, the song was included on the DVD of the same title, with Manilow seated in front of a black curtain, lip-syncing to the recording. Manilow branched out in another direction and, with long-time lyricist Bruce Sussman, launched Copacabana, a musical play based on previous Manilow-related adaptations. They wrote new songs and it ran for two years on the London West End, and a tour company formed.
In December 1996, A&E aired Barry Manilow: Live By Request, the first of his two Live By Request appearances. The broadcast was A&E's most successful music program, attracting an estimated 2.4 million viewers. The show was also simulcast on the radio. In March 1997, VH-1 aired Barry Manilow: The Summer of '78, a one-hour special of Manilow solo at the piano being interviewed and playing his greatest hits as well as songs from Summer of '78 his latest release at the time. In another collaboration between Manilow and Sussman they co-wrote the musical Harmony, which previewed October 7 to November 23, 1997 at the La Jolla Playhouse in La Jolla, California. Later in 2003, Harmony was originally scheduled for a tryout run in Philadelphia before going to Broadway, but was canceled after financial difficulties. After a legal battle with Mark Schwartz, the show's producer, Manilow and Sussman in 2005 won back the rights to the musical.
On October 23, 1999, NBC aired the two-hour special StarSkates Salute to Barry Manilow taped at the Mandalay Bay Hotel in Las Vegas, Nevada featuring numerous figure skaters performing to Manilow's music. Manilow also performed as well.
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